The double "F" as a symbol of Italian fashion style

The collaboration in 1964 with the designer Karl Lagerfeld proved to be decisive for the history of the logo thanks to his invention of the two upside down initials.

The graphic evolution of a territorial identity

The restyling of the logo for the repositioning of the tourist destination "Valtellina" in view of the 2026 Milan-Cortina Olympics.

The value of communication in the Gio Rossi logos

Forefather of Italian packaging and corporate identity, the Milanese designer has designed numerous logos for companies producing consumer goods.

The graphic evolution of the historic Zegna logo

The founder's attention to all aspects related to communication led to the logo becoming a quality certificate that was soon recognized all over the world.

HIGHLIGHTED LOGOS

MUSEO DEL MARCHIO ITALIANO

A large visual documentation based on an accurate historical-graphic research on the evolution, change and restyling of the main Italian brands. This virtual museum acts as a polarizer of the iconographic tracing of Italian industrial and graphic history, contributing to its deepening and enhancement; it also represents an in-depth account of the visual history of “made in Italy” from which the fluctuations of taste, styles and trends emerge. These values have led Italian artisanal and industrial production to excel in international commercial competition.

the routes

1

Logos and restyling over time

Gallery of logos with a graphic history which has been documented through the restyling.

2

Logos of national importance

Gallery of logos, of national importance, designed ex novo or waiting for the historiographic documentation.

3

Logos of Italian selected logo agencies

Gallery of logos of Italian logo agencies.

4

Logos of Italian historical graphic designer

Gallery of logos of designers who have defined the Italian graphic designing history.

prev_btn
next_btn

A VIRTUAL MUSEUM

A large visual documentation based on an accurate historical-graphic research on the evolution, change and restyling of the main Italian brands. This virtual museum acts as a polarizer of the iconographic tracing of Italian industrial and graphic history, contributing to its deepening and enhancement; it also represents an in-depth account of the visual history of “made in Italy” from which the fluctuations of taste, styles and trends emerge. These values have led Italian artisanal and industrial production to excel in international commercial competition. Just as the Italian product has remarkable manufacturing qualities, attention to detail, fantasy of design and shapes, so too the brand should equally convey these excellences.